In Inside Out, Pixar’s latest effort (and its best since Toy Story 3), writer-director Pete Docter wonders what those little voices in our head look like. More importantly, he wonders what they do. The film supposes that as we grow, so too do our emotions evolve. They may be as hesitant about change as we are, and sometimes they lose control when we need them most; but they remain an inextricable, unique part of our being.
By crafting a vibrant inner-world to off-set the all-too-realistic urban malaise of the outer, the marvelous Inside Out works on multiple levels: as an often hilarious and highly emotional journey for a set of emotions personified, and as a relatable, melancholy coming-of-age narrative for Riley, the girl whose mind we come to know intimately.
Even at its most hi-jink-filled—and the film does verge into hokey, jokey territory—Inside Out maintains a soulful, mature core energy, as Riley (Kaitlyn Dias), by way of Joy (Amy Poehler) and Sadness (Phyllis Smith), learns that all emotions are valid, purposeful, and necessary.